The smaller bees were created from prints sent by the company - they were cut out and glued together to make them 3D. The larger, more detailed bees were hand-made from crepe paper and wire.
The flower stems were created by wrapping crepe paper around hanging wire.
Flower buds were molded from styrofoam and crepe paper. Crepe paper petals were folded and spray painted, then stretched and molded into flowers.
The 2-dimensional foliage pieces were projected onto foam core, cut, drawn in more detail with permanent markers, then flocked with snow.
The backdrop was painted with a layer of black, then overlayed with a layer of navy paint, followed by gestural hand-painted snowflakes in different sizes.
A 2-D gold frame was added to the left side of the window around the mannequins, and a gold-leafed element was adhered to the right side of the window for balance. The addition of 2D pieces in the background and painted elements in the foreground happened in progression.
The first installation of the window was grounded in white, snowy layers. It was later updated to include a few red berries and silver leaf on the 2D foliage for added dimension, and wrapped gifts in the snow for added color.
Toward the end of the holiday season, "sale" text was painted to highlight winter promotions.
The summer windows at Anthropologie were inspired by paper fans and Asian geometric design.
My transfer to Anthropologie Naperville was in the middle of the window design process. I was provided a design sketch based on a standing pleat prototype that I used as a basis for the structure.
The pleated paper and structure were created behind the scenes before installation.